Saturday, January 26, 2019

Carol Deene

Carol Deene (born Carole Carver, 3 August 1944, Thurnscoe, West Riding of Yorkshire, England) is an English former pop singer.

After appearing on Joan Regan's BBC TV programme Be My Guest in 1961, when she was 16, Deene was signed to the HMV label, and scored three Top 40 hits on the UK Singles Chart in 1962. "Norman" reached number 24 in January 1962, "Johnny Get Angry" reached number 32 in July, and "Some People" hit number 25 in August. Her first chart hit was "Sad Movies (Make Me Cry)", a number 44 entry in the UK chart in October 1961.

In 1962, Deene briefly hosted her own show on Radio Luxembourg. Despite a serious car accident in 1966, Deene continued to record throughout the 1960s and into 1970, and regularly toured the northern clubs. After another car crash in 1974, she only recorded sporadically for a number of labels until the late 1970s. She now lives in Spain where she manages a radio station with her husband.

In January 1997, Diamond Records released a compilation album of Deene's work, entitled Johnny Get Angry.
Here is " Johnny Get Angry" with The Michael Sammes Singers and Orchestra conducted by Harry Robertson On His Masters Voice Record Label 45 POP 1027 1962 Enjoy.


Simon Dupree And The Big Sound

There's a rule of human nature that applies here: just as when a letter arrives marked "important" or "urgent" and chances are good that it's anything but, any group using the adjective "big" in its name is probably not going anywhere. Such was the case of Simon Dupree & the Big Sound, who neither had a "Simon Dupree" nor a very big following for much of their existence. Not that they weren't good. But apart from Big Country and maybe the Big Bopper, not too many acts using the name "Big" have gone very far with the public.

"Simon Dupree" was vocalist Derek Shulman, one of a trio of brothers (Ray and Phil being the other two) from Portsmouth, England, who started out in music as R&B fanatics and first formed a group in 1964. Their musical interests can be glimpsed by the choices that the Shulman brothers made between 1964 and 1965 in naming their bands, which included the Howling Wolves and the Road Runners. Those names aside, their repertoire was focused a lot more on the songs of Wilson Pickett, Don Covay, and Otis Redding than on the Wolf or Bo Diddley. "Simon Dupree & the Big Sound" came about in the course of their search for a flashy name.

Sgt. Pepper's Lonely Hearts Club Band The name change worked locally, because the group prospered on the club scene, its earnings reaching £300 a night, split after expenses between Derek (vocals, bass, saxophone), Ray (bass, guitar, violin), and Phil (sax, trumpet) and their bandmates Tony Randell (drums) and Pete O'Flaherty (bass). Additionally, they were signed to EMI's Parlophone label, under producer Dave Paramor, and cut a pair of powerful R&B-style songs in 1966, "I See the Light" and "It Is Finished." Success on the club scene didn't necessarily result in serious record sales, however, and the group's debut, as well as its follow-up records, "Reservations" b/w "You Need a Man" and "Day Time, Night Time" b/w "I've Seen It All Before," didn't make much of an impression. Their debut album, Without Reservations, containing the first fragmentary examples of the group's original songwriting, was released in August of 1967, just in time to be overlooked as cheerfully irrelevant in the wake of Sgt. Pepper's, Magical Mystery Tour, et al.
Then, in October of 1967, the group's management and record label decided to try moving Simon Dupree & the Big Sound in the direction of psychedelia. It's entirely possible that they were looking at the huge sales and international recognition suddenly accruing to the Moody Blues, an R&B-turned-psychedelic outfit who had gone from near-oblivion to scoring a pair of hit albums and singles with their new sound. The result was "Kites," a song recorded in the early fall of 1967 at Abbey Road. The bandmembers were unhappy with the new song and the sound they were being asked to create, but they tried to make the best of it -- they experimented with a Mellotron for the first time, and used it pretty much as impressively as the Moody Blues did. The melody was Asian-sounding, and the presence of actress Jackie Chan reciting some poetry over the music didn't detract from the single's "Eastern" sound. "Kites" wasn't R&B, but it was the right song at the right time, and it made the British Top Ten, a major commercial breakthrough for the group. Unfortunately, the band was never able to follow it up, and after several abortive attempts at another psychedelic-style single -- including the first songwriting efforts by the Shulman brothers -- Simon Dupree & the Big Sound called it quits in 1969.

By then, however, their thinking about music had changed. In 1970, the Shulmans were back at the core of a new group, having made the leap past psychedelia and far from R&B in the progressive rock group Gentle Giant.Thanks to Bruce Eder for the Bio.

Derek Shulman, Ray Shulman, Phil Shulman, Peter O’Flaherty, Eric Hine, Tony Ransley.

They were joined for a tour of Scotland in 1967 by a keyboards player named Reginald Dwight. When asked to join the band on a permanent basis, he declined and told them he intended to change his stage name and start a solo career. The name he mentioned made the rest of the band laugh a lot: “Elton John”. The rest is History.
Here is "I See The Light" Parlophone R-5542 From 1966 Enjoy.

Thursday, January 24, 2019

The Qworymen

Tales from the Rhino 2


Tales From the Rhino 2 gathers more of the label's favorite singles, which range from the bizarre (the Qworymen's "Beatle Rap," the Temple City Kazoo Orchestra's "2001 Sprach Kazoostra," and Fred Blassie's "Pencil Neck Geek") to the underappreciated (Steve Wynn's "Carolyn," the Honeys' "Running Away From Love," and Roky Erickson's "Bermuda"). Though most of the novelty singles that make up the bulk of this double-disc set were released on the label's various Dr. Demento collections, songs like Julie Brown's "The Homecoming Queen's Got a Gun" and Rockin' Richie Ray's "Baseball Card Lover" are still fairly entertaining. Ideally, Tales From the Rhino 2 would have included more of the obscure groups and singles the label has resurrected with series like Poptopia and D.I.Y., not to mention their numerous blues and jazz compilations. Though the Weirdos' "Helium Bar," the Pandoras' "In and Out of My Life (In a Day)," and Rank & File's "Black Book" are included, the collection could have used more tracks along these lines. Tales From the Rhino 2 attempts to paint an eclectic portrait of Rhino's offerings, but unfortunately the results are too biased toward their novelty rock output.  More Here
Here is "The Beatle Rap" Enjoy.


Peter Gordeno

Peter Gordeno was a well known dancer, recording artist, cabaret singer, choreographer, and occasional actor.
Born Peter Godenho in Rangoon, Burma, in 1939, he and his Scottish-Burmese mother left the country after his father, an Italian-American, was killed during the Second World War. He was brought up in Calcutta and his talent for dancing led him to perform in a cabaret act in India with the English dancer Yvonne Scott.
Gordeno was known primarily for his work with composer and arranger John Barry, but also became a household name in the 1970s due to his appearances as a submarine captain and combat pilot Peter Carlin in the Gerry Anderson television programme UFO.
He appeared in the 1968 London stage production of Man of La Mancha, as Anselmo, a muleteer. In the show, he was the soloist in the song "Little Bird, Little Bird".
He also featured briefly in the very last Carry On film (Carry On Columbus) in 1992, whilst also working on the choreography for the film.
He married Angie Wallace, with whom he had two sons & one daughter.
His son, also called Peter Gordeno is a songwriter and producer, who has toured with Depeche Mode since 1998. His other son is the West End club owner Jeremy Gordeno.

He died on October 18, 2008, aged 69.
Here is "I'll kiss your teardrops away" With John Keating & His Orchestra* - I'll Kiss Your Teardrops Away / You Can Do It If You Try On Parlophone Record Label 45-R 4999 From 1963 Enjoy.

Monday, January 21, 2019

Joe Cocker

John Robert "Joe" Cocker OBE (20 May 1944 – 22 December 2014) was an English singer. He was known for his gritty voice, spasmodic body movement in performance, and distinctive versions of popular songs of varying genres.
Cocker's recording of the Beatles' "With a Little Help from My Friends" reached number one in the UK in 1968. He performed the song live at Woodstock in 1969 and performed the same year at the Isle of Wight Festival, and at the Party at the Palace concert in 2002 for the Golden Jubilee of Queen Elizabeth II. His version also became the theme song for the TV series The Wonder Years. His 1974 cover of "You Are So Beautiful" reached number five in the US. Cocker was the recipient of several awards, including a 1983 Grammy Award for his US number one "Up Where We Belong", a duet with Jennifer Warnes.
In 1993, Cocker was nominated for the Brit Award for Best British Male, in 2007 was awarded a bronze Sheffield Legends plaque in his hometown and in 2008 he received an OBE at Buckingham Palace for services to music. Cocker was ranked number 97 on Rolling Stone's 100 greatest singers list.
Cocker was born on 20 May 1944 at 38 Tasker Road, Crookes, Sheffield. He was the youngest son of a civil servant, Harold Cocker, and Madge Cocker, née Lee. According to differing family stories, Cocker received his nickname of Joe either from playing a childhood game called "Cowboy Joe", or from a local window cleaner named Joe.
Cocker's main musical influences growing up were Ray Charles and Lonnie Donegan. Cocker's first experience singing in public was at age 12 when his elder brother Victor invited him on stage to sing during a gig of his skiffle group. In 1960, along with three friends, Cocker formed his first group, the Cavaliers. For the group's first performance at a youth club, they were required to pay the price of admission before entering. The Cavaliers eventually broke up after a year and Cocker left school to become an apprentice gasfitter working for the East Midlands Gas Board, later British Gas, while simultaneously pursuing a career in music.
Cocker was not related to fellow Sheffield-born musician Jarvis Cocker, despite a rumour to this effect (particularly in Australia, where Jarvis Cocker's father, the radio presenter Mac Cocker, allowed listeners to believe that he was Cocker's brother).
In 1961, under the stage name Vance Arnold, Cocker continued his career with a new group, Vance Arnold and the Avengers. The name was a combination of Vince Everett, Elvis Presley's character in Jailhouse Rock (which Cocker misheard as Vance), and country singer Eddy Arnold. The group mostly played in the pubs of Sheffield, performing covers of Chuck Berry and Ray Charles songs. Cocker developed an interest in blues music and sought out recordings by John Lee Hooker, Muddy Waters, Lightnin' Hopkins and Howlin' Wolf. In 1963, they booked their first significant gig when they supported the Rolling Stones at Sheffield City Hall.
In 1964, Cocker signed a recording contract as a solo act with Decca and released his first single, a cover of the Beatles' "I'll Cry Instead" (with Big Jim Sullivan and Jimmy Page playing guitars). Despite extensive promotion from Decca lauding his youth and working-class roots, the record was a flop and his recording contract with Decca lapsed at the end of 1964. After Cocker recorded the single, he dropped his stage name and formed a new group, Joe Cocker's Blues Band. There is only one known recording of Joe Cocker's Blues Band on an EP given out by The Sheffield College during Rag Week and called Rag Goes Mad at the Mojo.
Cocker died from lung cancer on 22 December 2014 in Crawford, Colorado, at the age of 70. He had smoked 40 cigarettes a day until 1991. The two remaining living ex-Beatles, Paul McCartney and Ringo Starr, were among those who paid tribute to the singer, while Cocker's agent, Barrie Marshall, said that Cocker was "without doubt the greatest rock/soul singer ever to come out of Britain"

Here is"I'll Cry Instead" Decca F11974 From 1964 Enjoy.



Sunday, January 20, 2019

Lee Curtis And The All Stars

Lee Curtis and the All-Stars were a British beat group from Liverpool, who were contemporaries and (briefly) local rivals of the Beatles in the early 1960s. Led by Pete Flannery, who used the stage name Lee Curtis, other group members included Pete Best and Wayne Bickerton.
Their origins lay in the Detours, a group formed in 1961 by school friends in Liverpool including lead singer Peter Flannery, who adopted a stage name derived from the American singer Curtis Lee. Although they performed regularly in the Liverpool and North Wales areas, Lee Curtis and the Detours split up after a few months. Flannery and his brother and manager Joe, who had previously worked as a singer with the Joe Loss Orchestra, decided to form a new group, to be called Lee Curtis and the All-Stars.
In mid 1962 they recruited band members from other local groups. Original members were Frank Bowen (lead guitar), Tony Waddington (rhythm guitar), Wayne Bickerton (bass), and Bernie Rogers (drums). However, when Pete Best was sacked by the Beatles, the Flannery brothers - apparently encouraged by the Beatles' manager Brian Epstein - decided to dispense with Rogers and install Best as the group's drummer. They also occasionally performed with singer Beryl Marsden. By the end of 1962, the group were one of the most successful in the area, and placed second in the Mersey Beat annual poll, behind the Beatles but ahead of Gerry and the Pacemakers, the Searchers, and other groups who later became nationally and internationally renowned. Lee Curtis and the All-Stars were signed by Decca Records, and released two singles in early 1963, "Little Girl" and "Let's Stomp". However, neither made the charts, and in mid 1963 the rest of the band decided to split from Curtis to form The Original All-Stars. That group later became the Pete Best Four, and several years later Bickerton and Waddington moved on to become the writers and producers behind The Rubettes.

Curtis formed a new version of the All-Stars in 1963, with Paul Pilnick (lead guitar), George "Porky" Peckham (rhythm guitar - in later years a renowned record cutting engineer), Dave "Mushy" Cooper (bass), and Don Alcyd (drums). The new line-up recorded a single "I've Got My Eyes On You", contributed two tracks to the Decca album, Live at the Cavern, and played in clubs in Hamburg, but split up soon afterwards. However, Curtis continued to build up his popularity on the club circuit in Germany, and had a year-long residency at the Star-Club. He also recorded regularly in Germany, although the line-up of his backing group, the All-Stars, changed repeatedly.

Towards the end of 1967, he was a passenger in a car which crashed while he was on the way to a performance in Germany, and he suffered head injuries. After a few further performances, he decided to leave the music business and returned home to Liverpool.

In later years, Lee Curtis worked as a croupier and at the Ford motor works at Halewood, occasionally returning to live performance in Liverpool and Germany. In 2007 he headlined a well attended live music event as Lee Curtis and The Bonds in Cuxhaven, Germany, for the launch of the book We Got Our Kicks in Cux'66 by Jens-Christian Mangels and Ralf Froehlich. He now lives in Hamburg, Germany.
Here is "Let's Stomp" Decca F 11690 1963 Enjoy.

Friday, January 18, 2019

The Outlaws

The Outlaws were an English instrumental band that recorded in the early 1960s. One-time members included Chas Hodges (born Charles Nicholas Hodges in 1943), Bobby Graham (born Robert Francis Neate in 1940), Ken Lundgren, Ritchie Blackmore (born Richard Hugh Blackmore in 1945), Mick Underwood (born Michael John Underwood, 1945), Reg Hawkins (born Reginald Hawkins, in 1942), Billy Kuy (born William John Kuy Jnr., 12 December 1940) and others.

Their name was originally conceived by Joe Meek (born Robert George Meek in 1929), who needed a backing group for Mike Berry's "Set Me Free" in 1960. After that recording, they continued being one of the house bands of his recording studio at 304 Holloway Road, London. As such, they were used for recordings, demos and auditions. Many of their songs were written by Meek and credited to his pseudonym, Robert Duke. They appeared as themselves in the 1963 British film, Live It Up!.

In addition to featuring on three hit singles backing Mike Berry (born Michael Hubert Bourne in 1942), they also recorded singles in their own right, see discography below.

With the line-up : Billy Kuy (b. William John Kuy Junior, 12 December 1940), Bobby Graham, Chas Hodges, Reg Hawkins

"Swingin' Low" b/w "Spring is Near" (March 1961) - UK #46
"Ambush" b/w "Indian Brave" (June 1961) - UK #43
"Valley of the Sioux" b/w "Crazy Drums" (September 1961)
With the line-up : Ken Lundgren, Don Groom (born Donald Groom, 10 November 1939, Walthamstow, East London), Chas Hodges (born 28 December 1943, Edmonton North London) Roger Mingaye (born in 1942)

"Ku-Pow!" b/w "Last Stage West" (February 1962)
"Sioux Serenade" b/w "Fort Knox" (12th October 1962)
With the line-up : Mick Underwood, Ken Lundgren, Chas Hodges, Ritchie Blackmore

"Poppin' Medley Part 1". b/w "Poppin' Medley Part 2". Released as The Chaps (7th December 1962) Parlophone R4979
"Return of The Outlaws" b/w "Texan Spiritual" (February 1963)
"That Set the Wild West Free" b/w "Hobo" (August 1963) (note: Underwood does not appear on "Hobo")
"The Bike Beat 1" b/w "The Bike Beat 2" as The Rally Rounders (1964) Lyntone LYN 574
"Law and Order" b/w "Do Da Day" (December 1963)
"Keep a Knockin'" b/w "Shake with Me" (3rd April 1964)
With the line-up : Mick Underwood, Ken Lundgren, Chas Hodges, Harvey Hinsley

"Don't Cry" (F. Self, A. Fielding) b/w "Only for You" (Thomas; Groom) (February 1966) [Note: United States only, vocal single, produced by Derek Lawrence. The b-side to this release features Mick Underwood, Nicky Hopkins, Chas Hodges, Ritchie Blackmore]
Albums
Dream of the West (HMV, December 1961).

Here is "Swingin' Low" Enjoy.

Tony Sheridan

Tony Sheridan (born Anthony Esmond Sheridan McGinnity; 21 May 1940 – 16 February 2013) was an English rock and roll singer-songwriter and guitarist. He was best known as an early collaborator of the Beatles (though the record was labelled as being with "The Beat Brothers"), one of two non-Beatles (the other being Billy Preston) to receive label performance credit on a record with the group, and the only non-Beatle to appear as lead singer on a Beatles recording which charted as a single.
Sheridan was born in Norwich, Norfolk, where he grew up at 2 Hansell Road in Thorpe St Andrew and attended the City of Norwich School.
In his early life, Sheridan was influenced by his parents' interest in classical music, and by age seven, he had learned to play the violin. He eventually came to play guitar, and in 1956, formed his first band. He showed enough talent that he soon found himself playing in London's "Two I's" club for some six months straight. In 1958, aged 18, he began appearing on Oh Boy!, made by the ITV contractor ABC, playing electric guitar on such early rock classics as "Blue Suede Shoes", "Glad All Over", "Mighty Mighty Man" and "Oh, Boy!". He was soon employed backing a number of singers, reportedly including Gene Vincent and Conway Twitty while they were in England. In 1958 Johnny Foster sought to recruit Sheridan as a guitar player in Cliff Richard's backing band (soon renamed the Shadows), but after failing to find him at the 2i's Coffee Bar opted for another guitarist who was there, Hank Marvin. Early in 1960, he performed in a tour of the UK, along with Vincent and Eddie Cochran. On 16 April, Vincent and Cochran rebuffed his request to ride along with them to the next venue, but he thereby escaped the road accident which would leave Cochran dead and Vincent badly injured.
Sheridan played guitar for Cherry Wainer on her recording of "Happy Organ". Despite these successes, his penchant for being late, showing up without his guitar, etc., soon got him a reputation for having gone a bit "haywire", and cost him much of his professional standing in England. Providentially, an offer for a gig came from Bruno Koschmider's "Kaiserkeller" club in Hamburg, Germany for an English group to play there. Sheridan and others (including Colin "Melander" Crawley) joined an ad hoc group promptly dubbed "The Jets" and were put on the ship headed for Hamburg. As fate would have it, legal woes (i.e. lack of proper papers) caused "The Jets" to not last long, but Sheridan (and now-friend Crawley) were soon back onstage in Hamburg.
While performing in Hamburg between 1960 and 1963, Sheridan employed various backup bands, most of which were really "pickup bands", or simply an amalgam of various musicians, rather than a group proper (though almost always including now bassist Colin "Melander" Crawley and usually top-pianist Roy Young). However, in 1961, the young Beatles (with their line-up at the time of John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe and Pete Best) who had met and admired Sheridan during their first visit to Hamburg in 1960, and who openly worked with him on their second visit, became even closer. The Beatles sometimes backed Sheridan, who, in turn, often joined the Beatles during their own sets backing them on guitar. They even visited Sheridan's home and had jamming sessions in the back garden.
When a colleague of German Polydor producer/A & R man Bert Kaempfert saw the pairing on stage, he suggested that Sheridan and the Beatles make some recordings together. Kaempfert viewed Sheridan as the one with "star" potential, and though they signed the Beatles to play on Sheridan's records their contract with them stipulated that the four Beatles (Lennon, McCartney, Harrison and Best) were insured to play on a minimum of two songs. Of the seven songs recorded during Sheridan's two-day-long sessions for Polydor in June 1961, it should be pointed out that at times the band behind Sheridan would be down to only two Beatles (Paul McCartney and Pete Best). And that conversely some say that only on their two solo songs do all four Beatles play (minus Sheridan), while Sheridan plays on all of his tracks. John Lennon's rhythm guitar is heard only on the two Beatle solo tracks (though his voice is heard in background vocals as well as his handclaps on Sheridan's tracks)(per "Beatles Deeper Undercover" by Kristopher Engelhardt, p. 302) These sessions produced Sheridan's "My Bonnie" and "The Saints", and the Beatles' "Ain't She Sweet" and "Cry for a Shadow" (formerly titled "Beatle Bop"), plus three other songs.
Polydor's beliefs in Sheridan's coming stardom were so strong that they buried the two solo Beatle tracks until much later. Additionally John Lennon, Pete Best and Tony Sheridan all swore that there were several other Beatle tracks that were recorded during the two-day session, but they have not surfaced. In the Spring of 1962 in order to fulfill contractual obligations, the four surviving Beatles (plus Roy Young but without Sheridan) recorded an instrumental version of Sweet Georgia Brown, later Sheridan cut his vocal overdub for the song while solo in the studio. (Reportedly "Swanee River" was also recorded by the Beatles and Roy Young, though Polydor released a version in 1962 on Sheridan's album My Bonnie, however Polydor states they've never found this last recording). A newspaper story of the day also mentioned that Sheridan had recorded "You Are My Sunshine" with the Beatles as well for single release, (it was also on his album as well).
In 1962, after a series of singles (the first of which, "My Bonnie"/"The Saints" made it to number 5 in the German chart), the record was released in America on Decca with a black label and also in a pink label for demo play. The record has the distinction of being one of the most expensive collectible 45 rpm with the black label in mint condition selling for $15,000 in 2007 and the pink label selling for $3000. Ringo Starr briefly played in Sheridan's backing band during very early 1962, before returning to Rory Storm and the Hurricanes. Starr was reportedly unhappy with Sheridan performing songs he had not rehearsed with his band (other musicians made the same complaint, as well as about Sheridan's penchant for fist-fights).
Also in 1962, Polydor released the album My Bonnie across Germany. The word "Beatles" was judged to sound too similar to the Hamburgisch dialect word "Pidels" (pronounced "peedles"), the plural of a slang term for penis, hence the album was credited to "Tony Sheridan and the Beat Brothers". Amusingly, that very unintentional-naughty-pun was one thing that so many young German fans had found amusing but enchanting. After the Beatles had gained fame, the album was re-released in the United Kingdom, with the credit altered to "Tony Sheridan and the Beatles". The Beatles' Hamburg studio recordings, as well as some live recordings from the same period, have been reissued many times.
In the mid-1960s, Sheridan's musical style underwent a drastic transformation, away from his rock and roll roots and towards a more blues- and jazz-oriented sound. Though these recordings were praised by some, many fans of his earlier work felt wildly disappointed. This change was presaged by liner notes from his 1964 album Just a Little Bit of Tony Sheridan in which his musical preferences are listed as "jazz and classical" rather than rock. The liner notes also mention his wanting to visit the southern US "to hear at first hand the original negro music and experience the atmosphere that has been instrumental in creating negro jazz and the spiritual, for which he has a great liking." Polydor continued releasing Tony Sheridan singles with german record producer Jimmy Bowien through 1967 (though they only ever released two albums by him).
By 1967, Sheridan had become disillusioned with his Beatle-brought fame. As he was more concerned by the Vietnam War and the thought of further Communist aggression, as such Sheridan agreed to perform for the Allied troops. While in Vietnam however, the band that he had assembled was fired upon and one of the members was killed. For his work entertaining the Allies, Sheridan was made an honorary Captain of the United States Army. Due to the repeated shellings encountered there, Sheridan henceforth suffered a great sensitivity to the sounds of any kind of explosions, even fireworks.
With his Polydor contract gone, Sheridan did what he could to survive. In the early 1970s, he managed to cut a single as a pop duo teamed with Carole Bell, and they toured Europe together with fair success. Following that phase he returned to playing in Germany (usually Hamburg) or London. The mid-1970s, saw him deejaying a West German radio programme of blues music, which was well-received. Somehow he then managed to record an entire live album of early rock classics, a number of which had been part of his and the young Beatles early live act but of which had never been recorded.
Fortuitously in 1978 a record producer in America heard Sheridan's early Polydor recordings (with and without the young Beatles), and was enthralled by Tony's singing and playing. Immediately Sheridan was offered and wisely accepted the offer to come and record a whole studio album in Los Angeles. Making the entire thing sweeter was the fact that Elvis' (now out of work) TCB Band was hired to play on the album along with top bassist (and former Hamburg friend) Klaus Voormann. A fine album of rock classics plus a few country tunes resulted, but with no major label release, it was doomed to direct TV sales. Thus the possible prospect of a long American career in Las Vegas evaporated.
In 1978, the Star Club was reopened, and Sheridan performed there along with Elvis Presley's TCB Band.
In 1991, Joe Sunseri, Sheridan biographer and then-manager, completed Nobody's Child: The Tony Sheridan Story. However, due to a falling-out, the biography remained unpublished. A biography of Sheridan, titled The Teacher (ISBN 0957528507), was eventually published in 2013 by Norfolk author Alan Mann, a childhood-friend of Sheridan. This book was essentially an email question and answer interview. While repeated probings by the author did bring out Sheridan's one time of two weeks spent in an English jail, aside from that the author unfortunately takes Sheridan's memory of things at total face value. On 13 August 2002, Sheridan released Vagabond, a collection largely of his own material, but also including a new cover version of "Skinny Minnie", a song he had years earlier recorded for his first album. Tony played guitar and sang for the Argentinian rock musician Charly Garcia. The album was called Influencia and it was released in 2002. In 2015, Colin "Melander" Crawley – Sheridan's former bassist, published another biography, Tony Sheridan – The One The Beatles Called "The Teacher"(ISBN 9781515092612) . Of the two published biographies it definitely gives the most insight into Sheridan's major career of the early '60's.
Sheridan lived in Seestermühe, a village north of Hamburg, and in addition to music, in his later life he was interested in heraldry and designed coats of arms. Sheridan was extremely secretive about his personal life though it's known that he was married three times, lastly to the enthusiastically young Anna Sievers, and previously to Rosi Heitmann and to Hazel Byng. His friend and former bassist Crawley stated that in 1960 Sheridan confided that (despite his mixed Irish-Catholic and Jewish background) he was at that point viewing himself as a Buddhist. Later in life Sheridan became a fervently devoted follower of the Hindu guru Bhagwan Sri Rajneesh (and lived for a while in the commune in the Pacific northwest in the '80's).
Tony Sheridan died on 16 February 2013 in Hamburg, after undergoing heart surgery.
Here is "My Bonnie" Enjoy.

Original West German release
Single by Tony Sheridan and the Beat Brothers.
"My Bonnie", with "The Saints" as the single's B-side, (credited to Tony Sheridan and the Beat Brothers) was first released in October 1961 in West Germany. The German import became popular in Liverpool, and Epstein secured a British release on 5 January 1962, credited to Tony Sheridan and the Beatles

Wednesday, January 16, 2019

The Paramounts

The Paramounts were an English beat group, based in Southend-on-Sea, Essex. They had one hit single with their cover version of "Poison Ivy", which reached #35 on the UK Singles Chart in 1964, but are primarily known as the forerunner to Procol Harum.
The origin of the Paramounts is unclear. They were either formed as "The Raiders" in 1959 when the members were at secondary school, or were one of the first "manufactured" bands, the organisers of a band competition at the Palace Hotel in Southend forming a group out of the best musicians in the contest. The Raiders had Robin Trower and Chris Copping (guitars), Mick Trower (lead vocals; older brother of Robin Trower) and Gary Nicholls (drums; born 1945 died April 2007). The initial line-up of the Paramounts from September 1960, was Gary Brooker (piano, ex-Johnny Short and the Coasters), Mick Brownlee (drums; born October 1943, Chiswick, West London died June 2017, ex-Mickey Law and the Outlaws), Chris Copping (bass), Bob Scott (vocals, ex-Bob Scott and the Clansmen) and Robin Trower (guitar). Scott soon left, and Brooker became the vocalist, but as he was only 14, this made playing in licensed premises difficult, so they started performing in Trower's father's cafe, which became The Shades Club. Copping left in December 1962 and Brownlee left in September 1963, and were replaced by Diz Derrick (bass; born Grahame Derrick, 11 December 1944, Upminster, Essex) and B J Wilson (drums). Their musical style evolved from their initial R&B towards soul and by 1963 they were regularly playing in London, and were signed by Parlophone. In late 1964 and early 1965 they had Phil Wainman on drums (born Philip Neil Wainman, 7 June 1946, West London), briefly replaced Wilson who went to Jimmy Powell and the Five Dimensions. Their first single, "Poison Ivy", produced by Ron Richards, was a cover of the Leiber and Stoller song, which had been a hit for The Coasters in 1959. It became a minor hit for the Paramounts, reaching #35 on the UK Singles Chart, which led to them appearing on TV shows such as Ready Steady Go!.
Their second and third singles "Bad Blood" and "I'm the One who Loves You" both failed to chart, but the B side of the third single "It Won't Be Long" was the first song written by Brooker and Trower to be released. In search of another hit, subsequent singles were in different styles, but none of them charted. They became backing musicians on European tours by Sandie Shaw and Chris Andrews and the Paramounts eventually disbanded in 1966.
Brooker concentrated on writing music, collaborating with Keith Reid, and Matthew Fisher (organ), and they recorded "A Whiter Shade of Pale". Needing a band to tour and promote the record, Brooker convinced Trower and Wilson to rejoin them, and augmented this with David Knights (bass). By 1969 Knights and Fisher had left and Chris Copping rejoined.

A friend of the musicians, Dave Mundy, disliked the name "Paramounts", which had been given to them by their manager, and wanted them to be called "Liquorice John Death". Mundy committed suicide in 1972, but left his possessions to Trower, including a painting of an album cover for an imaginary album by 'Liquorice John Death', which Mundy had called Ain't Nothin' to Get Excited About.

In 1969, after Fisher and Knights had left Procol Harum, and Copping had joined, the line-up had evolved into the Paramounts' final line-up, minus Diz Derrick. At a practice/rehearsal in January 1970 the new line-up recorded 38 songs at Abbey Road Studios. Largely R&B covers that they had originally played as the "Paramounts", or songs in a similar vein, 13 of the tracks were mixed by Chris Thomas  but the recordings were shelved.

An album containing all the Paramounts' singles, called Whiter Shades of R&B, was issued in 1983. In 1998 all the known original Paramounts recordings were remastered, as were six of the 38 tracks recorded by Procol Harum, in the Paramounts' style, in 1970. These remastered tracks were issued on a CD using Mundy's band and album names, and his cover art. The CD was re-released in 2005 by Friday Music, without Mundy's cover.
Here is "It Won't Be Long" (1964) Parlophone (R 5155) Enjoy.

Monday, January 14, 2019

The Factotums

The Factotums: the forgotten Manchester band who played with The Kinks and drank tea with Mick Jagger.
Merseybeat may have put Liverpool on the map in the 1960s, but Manchester bands like The Hollies and Herman’s Hermits sold millions of records in the same era.
In April 1965 alone, three Mancunian acts took it in turns to top the charts in the USA, while another held the top spot in the UK.
Though they never ‘made it big’ in the traditional sense, another Manchester band of the time, The Factotums, were signed by The Rolling Stones’ manager, supported The Kinks, played with Jerry Lee Lewis, Tom Jones, Pink Floyd and Cream, and toured Sweden with Manfred Mann.
Factotums member Jeff Lees talks to i about Manchester’s 1960s club scene, a Carnaby Street re-style, a photo shoot with David Bailey and drinking tea with Mick Jagger.
Signed by an industry legend
Formed while at Audenshaw Grammar School in 1960, The Factotums’ early emphasis was on instrumental tunes, playing mainly in local youth clubs.
“Then, about 1963, we got more serious about it,” remembers Lees.
“I was working as an import and export clerk at the time, but eventually the band started to make me more money than that did.”
In 1964, Lees suggested that the band adopt a new style, focusing on four-part harmonies like The Beach Boys, whose first record, I Get Around, had just hit shops.
The new style proved popular, and eventually they were picked up by ’60s Svengali Andrew Loog Oldham, the manager of the Rolling Stones.
“The Stones were at the Palace in Manchester recording an EP,” recalls Lees. “We were playing at Beat City, and Andrew Oldham came to the club just as we were about to play.
“Andrew turned to Barry Collins, our manager at the time, and said, ‘I’ll sign them’ and it all went from there.”
“Andrew’s London office, near Baker Street, was incredible,” says Lees.
“It was the first time I’d ever seen hessian wallpaper. And there were telephones in the toilets.
“Andrew had two piles of paper on his desk, one with a little gold paperweight that said ‘little deals’, and one with a big weight that said ‘big deals’.”
One of Oldham’s first jobs was to give the band a new image.
“We looked like all of the bands at the time,” remembers Lees.
Oldham decided to get rid of the suits and give the band a more casual image during a trip to Lord John’s in Carnaby Street.
“One of our first sets of photographs for Andrew was taken on Streatham High Street by David Bailey,” says Lees. “But they were never used, in the end.”
Following an argument with Decca Records, Oldham started his own label, Immediate Records, which was among the UK’s first indie record labels.
In 1965, The Factotums were asked to record You’re So Good To Me, a song which Brian Wilson of The Beach Boys had given to Oldham.
Despite receiving excellent press, the song didn’t get national airplay and failed to become a hit, perhaps because Oldham’s attention was diverted by the increasingly popular Stones.
You’re So Good To Me was referred to in one publication as “the hit that never was”.
The Factotums played in a number of Manchester clubs, including Jungfrau (a cellar club venue in Back Cathedral Street in the Corn Exchange), The Devil’s Cave, Beat City, The Plaza and The New Century Hall.
“The best club in Manchester at the time was the Oasis on Lloyd Street,” recalls Lees.
“We played at the New Century Hall in Manchester with quite a few big names, like The Kinks and Jerry Lee Lewis. My claim to fame is that Jerry Lee Lewis used my amp for his piano.”
The band performed in other cities across the UK and abroad too, including Liverpool’s famous Cavern Club.
“The club scene was very similar, though the bands were quite different in Liverpool,” says Lees. “There were more harmony bands in Manchester, and more blues and rock ‘n’ roll in Liverpool.”
“People say if you remember the ’60s you weren’t there, but it was nothing like that,” claims Lees, disputing the widely perceived image of sex, drugs and rock ‘n’ roll.
“In fact, Mick Jagger’s most used phrase to us was, ‘Would you like a cup of tea?’
“The receptionist at Andrew’s office was Chrissy Shrimpton, Jean Shrimpton’s sister, and he’d say, ‘Could you go and make us all a cup of tea Chrissy?'”
The Factotums disbanded in 1969, feeling that without a hit single they would just be carrying on at the same level. But Lees remembers his years with the band fondly.
“It was a great time. Money was no object. Bands now have it rough compare to how we had it.
“We stayed in the best hotels, and ate the best food. And we drove around in a Jaguar. It was terrific.”
The band were driven by Lees’ then girlfriend (and soon to be wife) Veronica “because none of us actually had licenses. She was one of the only female roadies at the time.”
Being a female roadie and driver attracted its own set of fans.
“There was a picture of Veronica in the paper holding our guitar. In fact, when we played in Holland, a load of men turned up to actually see her, they all wanted to meet her,” says Lees.
As well as tales of tea with the Stones and “chatting to Ike Turner at the side of the stage”, many of Lees’ memories are bound up with the places they visited.
The Factotums became particularly friendly with The Zombies during their heyday.
“They’d just come back from America,” he recalls.
“And this lad – I’ve never seen it done before, he must’ve learnt it in America – but he could open a bottle of Coca-Cola with his eye.”
The Zombies also had some entertaining tales of their own from touring.
“They played in Germany with Little Richard. During the gig the saxophone player had to take three strides, jump on top of the piano, slide along, and do a solo into the microphone at the end of the track,” recalls Lees.
“In one show, after a few, he took four strides, slid along the piano, and took the microphone, Little Richard, and everything else with him onto the floor.”

(Excerpt From Manchester iNews By Louise Rhrind-Tutt)
Here is "In My Lonely Room" On Immediate Label IM 009 From 1965 Enjoy.

Sunday, January 13, 2019

Blues By Five

"Blues By Five" sounds like a name the Rolling Stones might've chosen in less imaginative and daring circumstances noted Bruce Eder in his All Music Guide, considering that they may be descended from the "Blues By Six" band that Charlie Watts exited, for a gig with Alexis Korner, in 1961.
They were actually a seperate band from Harrow-on-the-Hill, Middlesex.
The nucleus of Blues by Five was born under the guise of The Men of Mystery all from Belmont School in Harrow, originally put together in 1960 by Ron Faulkner (aka "McQueen") on Lead Guitar, Ken Morgan on Rhythm Guitar, Jim Whitaker on Bass Guitar and Phil Wainman on Drums. They were later joined by singer Len Ashley.
The Men of Mystery played around the London area at various clubs, did well working American bases for agent Jack Fallon (Cana Variety), and then Toured Scotland and the North of England.
They backed Marty Wilde and Duffy Power at The Marquee. They supported Joe Brown at The State Kilburn.
On 17 September 1963, they also opened for The Rolling Stones at their local venue South Harrow British Legion Hall where they were later seen by producer Joe Meek and offered a recording test. Singer Len Ashley was offered an opportunity to record Eddie Cochran type numbers but he turned this down to stay with the band (Heinz later took on this role and recorded "Just like Eddie").
By 1963, Ron and Len were then joined by Dick Bryce on drums, Mick Wright on Bass, Bill Blisset on Keyboards and Noel Chartres McManus on Sax. This was the Birth of Blues by Five.
From spring to summer '64, they Toured Britain backing American singer Big Dee Irwin ("Swinging on a Star"), starred with The Hollies - Little & Large - Shane Fenton and Screaming Lord Sutch.
David Ozholl (aka Dave Jones) joined the band in summer 1964 on lead and rhythm guitar after Ron dropped out through illness during their tour with Big Dee Irwin.
Early gigs with the new line up included a season at the famous Blackpool north pier, working with Johnny and the Pirates, The Tornados, Heinz, Marty Wilde...
In November 1964, they took part of the Brenda Lee/Manfred Mann UK tour.
They had one single release on Decca in December 1964: the 'A' side was a powerful rendition of John Lee Hooker's R&B classic "Boom Boom", the B side was an original "I Cried" written by Rolling Stones Manager Andrew Loog Oldham and arranger Mike Leander. This is now a sought-after 45.
David Ozholl played lead guitar on the band’s recording of "Boom Boom".

During 1965, they kept touring UK, supporting PJ Proby in April.
By June 1965 they underwent a working tour of Cyprus, Malta and North Africa
entertaining the troops, playing in their own right and backing several others
including Michael Cox,Twinkle and Little and Large.
The Band broke up after supporting The Spencer Davis Group in September
1965.
In the late 60’s / 70’s, Ron and Len formed a new band called Fascination with Terry Williams - Trumpet,Guitar,and Vocals - Ian Williams - Bass Guitar and Vocals - Steve Dunkley - Drums. It was a change in direction for them musically doing more vocal harmonies (Beach Boys etc).
Later the personnel changed bringing in Trevor Goarge - Keyboards,Vocals - Eddie Majwick - Bass Guitar they continued to do college gigs etc and were then joined by John Hamilton - Guitar - Keyboards - Vocals (Later ran EQ Studios)
They were joined briefly by Christopher Rainbow who later had hits with Give me what I cry for and Solid State Brain and also recorded Jingles for Tony Blackburn on Radio One. Later produced various bands Jon Anderson being one.
In the late 1970.s Ron and Len formed a recording band called TAN and released several singles and a Country Album on the White Dove Label. The personnel were Len Ashley - Vocals - Ron Faulkner - Guitar & Bass Guitar - John Hamilton - Keyboard & Backing Vocals - Terry Williams - Trumpet and Backing Vocals - Roger Rettig - Guitar and Pedal Steel Guitar (He was an original on Rutland Weekend TV - The Rutles and played with Fatso and various good country bands.
In 1992, Len Ashley and Ron Faulkner reformed Blues by Five with John Barry (JJ) on Lead Guitar and Vocals, John Abbot on Bass Guitar, Nigel Clegg on Drums. Blues by Five continued to play through the 1990's in Blues clubs and Pubs until they finally split with people going in different directions.
Ron and Len are still together writing and recording their own songs and Jingles when they get together.
Ron is now based in Spain and does the odd gig with local bands. Len joins him on his frequent visits.
Blues by Five Resurected are playing at The Moraira Music Festival in Spain 12th June 2011.
Original members Len Ashley Vocals / Harp and Ron Faulkner Lead Guitar Vocals
(1) Phil Wainman Later went on to join Sandie Shaw & The Paramounts, Johnny B. Great & The Quotations, and then Jimmy Cliff & The Sound System. He inspired Keith Moon, playing on stage with 2 bass drums. He subsequently went on to become a successful record producer, producing Sweet, The Boomtown Rats...
(2) Noel McManus left in late '64. Was he the saxophone player of the same name who
joined Screaming Lord Sutch & the Savages from February 1965 to March 1966???
(3) This record company publicity photograph, published in The Edgware Times just after
the disc was released, shows (back row from left) Dick Brice (drums), Len Ashley (vocals
and harmonica), Bill Blissett (keyboards), Mick Wright (bass) and in front, David Ozholl
(guitars).

Discography
Singles:
Boom Boom (John Lee Hooker)/I Cried (Andrew Loog Oldham/Mike Leander) (Decca F 12029) December 1964

Various Line-ups of Blues By Five
The Men of Mystery (Harrow, 1960 - 1963)
Len Ashley (Lead Vocals/Harmonica)
Ron Faulkner (Lead Guitar) "Ron McQueen"
Ken Morgan (Rhythm Guitar)
Jim Whitaker (Bass)
Phil Wainman (Drums)

Blues By Five #1 (Late 1963 - Late 1965)
Len Ashley (Lead Vocals/Harmonica)
Ron Faulkner (Lead Guitar) "Ron McQueen" then David Ozholl
Mick Wright (Bass)
Anthony Blisset (Keyboards) "Bill Blissett"
Noel McManus (Tenor Sax)
Dick Brice (Drums)

Blues By Five #2 (1992 - 2011)
Len Ashley (Lead Vocals/Harmonica)
Ron Faulkner (Keyboards/Rhythm Guitar) "Ron McQueen"
John Barry (Lead Guitar/Vocals) "JJ"
John Abbot (Bass)
Nigel Clegg (Drums)

Special thanks to Len Ashley and David Ozholl
If you have any further information and want to contribute to this site, please email us at: tomusicstorytellers@gmail.com
Here is "Boom Boom" Decca F 12029 From 1964 Enjoy.

Saturday, January 12, 2019

The Beau Brummels

The Beau Brummels were an American rock band. Formed in San Francisco in 1964, the band's original lineup included Sal Valentino (lead vocals), Ron Elliott (lead guitar), Ron Meagher (bass guitar), Declan Mulligan (rhythm guitar, bass, harmonica), and John Petersen (drums). They were discovered by local disc jockeys who were looking to sign acts to their new label, Autumn Records, where Sylvester Stewart—later known as Sly Stone—produced the group's early recording sessions. Initially, the band's musical style blended beat music and folk music and typically drew comparisons to the Beatles, while their later work incorporated other music genres such as psychedelic rock and country rock.

The Beau Brummels broke into the mainstream with their debut single, "Laugh, Laugh", for which they would later be credited for setting one of the aesthetic foundations for the San Francisco Sound, along with other bands such as the Charlatans; the song is in the Rock and Roll Hall of Fame list of the "500 Songs That Shaped Rock and Roll". The band's popularity continued with the subsequent album, 1965's Introducing The Beau Brummels, and the Top 10 single "Just a Little". The group's commercial success declined by the following year, at which time the financially struggling Autumn label was acquired by Warner Bros. Records. After recording an album of cover songs, Beau Brummels '66, the band released a pair of critically acclaimed albums: Triangle in 1967 and Bradley's Barn in 1968.

The band underwent several personnel changes, beginning with Mulligan's departure in 1965. Guitarist Don Irving joined the band in late 1965 when Elliott began to suffer seizures resulting from a diabetic condition, leaving him unable to tour with the band. Shortly after the release of Beau Brummels '66, Irving left the group when he was inducted into the armed forces. Petersen left to join Harpers Bizarre, reducing the Beau Brummels to a trio for the recording of Triangle. Meagher was drafted for military service in 1968, leaving Valentino and Elliott as the only remaining band members. The duo worked with prominent Nashville session musicians to record Bradley's Barn before parting ways in 1969 to focus on solo material and participate in projects by other artists. Four of the original Beau Brummels reformed in 1974 with one new member and the band released an eponymous album the following year.
Here is "One To Many Mornings" WB Records 5813 1966 Enjoy.

Thursday, January 10, 2019

The Poets

The Poets were a Scottish blues, freakbeat and psychedelic pop band, who were managed and produced by Andrew Loog Oldham. Some of their singles were released on his Immediate Records label. Their cover version of "Baby Don't You Do It", was produced by Immediate in-house record producer.
Musically the band's style contained elements of both the hard R&B of the early Small Faces (both bands would cover "Baby Don't You Do It") and The Action along with the more melodic sounds of The Kinks, The Searchers and the later period Small Faces Visually they sported an Edwardian look similar to the early Kinks with matching velvet jackets, ruffled shirts, tight pants, Beatle Boots and shag haircuts. Within the West of Scotland however, their look was interpreted as based on the Poet Rabbie Burns appearance in paintings of the time.
Their 1964 single "Now We're Thru'" was a #31 hit in the UK. However, later singles were not chart successes outside Scotland, and no full album was completed.
Some of their singles are on various compilation albums, including the Nuggets II box set on Rhino Records (one song) and The Immediate Records Story (four songs) on Charly Records. One of their tracks "That's The Way It's Got To Be" was on the soundtrack for the films Factory Girl and Frankenstein Meets the Space Monster.
Their former member, Hume Paton born Hume Michael Paton, 6 October 1945, Bellshill, Glasgow, died on 30 April 2011, from a heart attack in Saint Georges, Grenada, West Indies at the age of 65. Another former member, Alan Weir, born 12 September 1943, Gartcosh, Lanarkshire died on 9 June 2010 from cancer in Cambridge, at the age of 67. Another former member John Dawson, born 6 May 1944, Glasgow, Strathclyde died on 6 January 2002, Glasgow, Strthclyde, Scotland of cancer, at the age of 57.
In 2011, The Poets reformed with original members George Gallacher and Fraser Watson, and on 2 December that year, played at the Eyes Wide Open club's 7th anniversary celebration. This was meant to be a one off, but just before the gig, The Poets' name appeared in the line-up to Le Beat Bespoke 8, listing them as playing on 8 April 2012.

Lead singer George Gallacher born 21 October 1943, Royston, Glasgow, died of a heart attack on 25 August 2012, at Glasgow Royal Infirmary, Glasgow, at age 68 while travelling home after watching his beloved Partick Thistle win 3-0 against Dumbarton. The remaining founder member, Tony Myles, now lives in Spain where he hosts various radio programs and continues to write music at his home studio in the Costa Blanca.
More Here
Here is "That's The Way It's Got To Be" / "I'll Cry With The Moon" (Decca F12074, February 1965) Enjoy.

The Beatstalkers

The Beatstalkers was a Glasgow beat group of the late 1960s. The Beatstalkers were sometimes billed as "the Scottish Beatles", and like other Scottish beat groups The Poets, The Athenians and The Pathfinders, specialised in covers of US hits.
In 1962 Alan Mair and Eddie Campbell formed the Glasgow band with a lineup included Davie Lennox on vocals, Eddie Campbell on guitar, Alan Mair on bass and ‘Tudge’ Williamson on drums (replaced by Jeff Allen). Later Ronnie Smith joined the group on rhythm guitar. Under the management of Joe Gaffney, the band went on to become Scotland's "top group" at the time.

The group came to the attention of Decca Records in London after a near riot at a free concert in George Square, Glasgow. However the band were unable to translate success in Scotland into success in England. They decided to split in 1969 after their van was stolen with all their equipment in it.

Alan Mair went on to play with The Only Ones and drummer Jeff Allen played with East of Eden. The Beatstalkers played a reunion concert On 23 December 2005 in Glasgow.
More Info Here
Here is "Ev'rybody's Talking 'bout My Baby" / "Mr. Disappointed" Decca 1965 Enjoy.

Wednesday, January 9, 2019

Twinkle

Lynn Annette Ripley (15 July 1948 – 21 May 2015), better known by the stage name Twinkle, was an English singer-songwriter. She had chart successes in the 1960s with her best known songs, "Terry" and "Golden Lights.
Born in Surbiton, Surrey into a well-to-do family, Ripley was known to her family as "Twinkle". She attended Queen's Gate School with Camilla, Duchess of Cornwall, and was the aunt of actress Fay Ripley.
Twinkle owed her rapid entry into the recording studio at the age of 16 to her then-boyfriend, Dec Cluskey, of the popular vocal group The Bachelors, who was introduced to her by her sister, a music journalist, and who passed on to his manager a demo that Twinkle's father played to him. Her song "Terry" was a teenage tragedy song about the death of a boyfriend in a motorcycle crash. Big Jim Sullivan, Jimmy Page and Bobby Graham were among the high-profile star session musicians who played on the recording, which conjured up a dark mood with its doleful backing vocals, spooky organ, 12-string guitar and slow, emphatic rhythm arranged by Phil Coulter. The theme was of a common type for the era, it bore some similarities to the Shangri-Las' slightly earlier "Leader of the Pack" (1964), but the record caused a furore, accusations of bad taste leading to a ban from the BBC.
The follow-up, "Golden Lights", was also written by Twinkle, with a B-side again by producer Tommy Scott. By then Cluskey was her ex-boyfriend: Twinkle dated Peter Noone in 1965. The lyrics express disillusionment with the pop business: her EP track "A Lonely Singing Doll", the English-language version of France Gall's 1965 winning Eurovision Song Contest song for Luxembourg, "Poupée de cire, poupée de son", originally written by Serge Gainsbourg, returned to a theme similar to "Golden Lights". "Johnny" continued to explore dangerous territory, this time that of a childhood friend who becomes a criminal, but it seems the pressure to produce "another Terry" led her producers to pass over her own material, for "Tommy", a song written for Reparata and the Delrons and "The End of the World" a tune composed for Skeeter Davis. Twinkle made few live appearances but performed "Terry" at the annual New Musical Express hit concerts. After recording six singles for Decca Records she "retired" at the age of eighteen in 1966.
In 1969 she recorded a self-written single, the Tamla Motown-styled "Micky", backed by "Darby and Joan", both produced by Mike d'Abo (also among the relatively few pop musicians of a privileged background in that era) for the Immediate label. The single vanished, unpublicised. In the ensuing years, unsigned and working in music for advertising, she recorded a suite of songs inspired by her relationship with "Micky", the actor/model Michael Hannah, who was killed in an air-crash in 1974. These remained unreleased until they were included on CD compilations. Her later recordings appeared under the name Twinkle Ripley. She recorded a 1975 single, "Smoochie" with her father, Sidney Ripley as "Bill & Coo".

In the 1980s "Golden Lights" was covered by The Smiths and appeared on their compilation albums The World Won't Listen and Louder Than Bombs while in 1983 Cindy & The Saffrons covered "Terry".

Photographic publicity portraits of Twinkle taken in the mid-1960s are exhibited in the National Portrait Gallery

In 1972, she married actor-model Graham Rogers, who starred in the Milk Tray chocolate adverts. They had two children, Michael and Amber.
On 21 May 2015, Twinkle died at 66 on the Isle of Wight, after a five-year battle with cancer.
Here is "Golden Lights" (Twinkle) b/w "Ain't Nobody Home But Me" (Tommy Scott) (1965)
UK No. 21. Enjoy.

Tuesday, January 8, 2019

Episode Six

Episode Six c.1966
Harvery Shield, Tony Lander, Roger Glover, Sheila Carter, Graham Carter, Ian Gillan

Episode Six were an English rock band formed in Harrow, London in 1965. The band did not have commercial success in the UK, releasing nine singles that all failed to chart, but they did find minor success in Beirut at the time. Group members Ian Gillan and Roger Glover left in 1969 to join Deep Purple, while drummer Mick Underwood founded Quatermass and later collaborated with Gillan.
The band was formed in Hatch End, then in Middlesex, in July 1964 from two local bands, The Lightnings and the Madisons, who had all met at Harrow County School. The original line-up consisted of Glover on bass, Andy Ross on vocals, siblings Sheila Carter-Dimmock on keyboards and vocals and Graham Carter-Dimmock on guitar and vocals, with guitarist Tony Lander and drummer Harvey Shield. The band initially rehearsed at the Carter-Dimmocks' family house, and initial influences came from The Beach Boys, The Lovin' Spoonful and The Beatles.

By 1965, the band had signed a management deal with Gloria Bristow, a former employee of Helmut Gordon, original manager of what became The Who. In April of that year, the band were offered a short residency at the Arcadia Club in Frankfurt, Germany, playing from 7 pm to 3 am every night for a month, with only 15 minutes break every hour. Immediately on their return, Ross decided to get married and quit the music business, and consequently Bristow recommended Gillan as a replacement. Shortly afterwards, they signed a deal with the Dick Katz / Harold Davidson Ltd agency, though the band had difficulty finding regular work through this, feeling that the agency's attention was being diverted towards other bands. By the end of the year, however, they managed to land a deal with Pye Records They were doing an average of twenty shows a month from July '65 onwards and cut their first single, The Hollies' "Put Yourself in My Place" before the end of the year. It was released in early 1966.

The band were booked by Radio London to appear at one of their big open-air summer shows in May 1966 alongside David Bowie and issued more singles during the year, all of which failed to chart. In September 1966 the group played on the Dusty Springfield package tour and did a weekly residency at the Marquee Club during October. There was also the first solo single from Sheila; "I Will Warm Your Heart" in November 1966. Due to financial difficulties, and lack of chart success, the band were forced to do a long Christmas season in Beirut (where they had topped the local chart with a cover of Tim Rose's Morning Dew) through December and January.

The group had by now built up an impressive repertoire of covers and originals and would vary their sets according to the audiences. They were also beginning to do sessions for the BBC. They did a mini tour of London parks (organised by the Greater London Council) in mid-June 1967, performing two 45-minute sets, and played for four weeks in Germany. On their return Shield left the group due to ill health, and was replaced by John Kerrison (born 1947), who had previously played in The Pirates with future Deep Purple member Nick Simper.

The group got a new record deal with MGM Records and shortened their name to The Episode, releasing "Little One" in May 1968 (their only single under the new name). They did three UK TV shows to promote this and recorded dozens of tracks for radio sessions over the year, including the new Radio 1 Club. However they were not getting along with their new drummer (Gillan subsequently referred to him as "a character and a half"), who was eventually fired, replaced by ex-Outlaws drummer Mick Underwood.

The group left MGM and signed with Chapter One records, releasing 'Lucky Sunday' in September 1968, which became their eighth single to fail to chart in the UK. Gillan hated the brass section on the record. "Mozart Vs The Rest" followed in February 1969. This was issued in response to hundreds of calls to BBC Radio 1 after the band performed it on air. Sadly this happened too late for it to chart. They also contributed "Gentlemen of the Park" to the soundtrack of the 1968 short film Les Bicyclettes de Belsize.

The band decided they needed to update their musical style from the pop-rock they had been playing into a heavier sound, and made a start on a début album but it was never finished. In June 1969 Ritchie Blackmore and Jon Lord came to see Episode Six play live in London, and then offered Gillan a job in Deep Purple. Glover helped Deep Purple out on a studio session and was also asked to join them. The pair helped Episode Six fulfil existing bookings in the short term, and then quit following their first gig with Deep Purple at the Speakeasy on 10 July.

Episode Six carried on for a time with John Gustafson on bass and vocals. Sheila rehearsed with Pete Robinson, John Gustafson and Mick Underwood as a quartet, before they formed the trio Quatermass. Episode Six then played for a while with Sheila, Tony Lander, Dave Lawson (later of Greenslade) and Tony Dangerfield on bass. By the end of the year they were billed as Episode Six with Sheila Carter and then The Sheila Carter Band, and this continued off and on (mostly with gigs abroad) until 1974 with Sheila as the constant, before she went into session work.

A couple of singles recorded by Episode Six for Pye Records have been produced by Tony Reeves, a renowned bassist and one of founder members of Colosseum.

On December 6, 2015, for their 50th. anniversary, the band reunited and performed in front of an audience of family and friends in London.
Here is "Put Yourself in My Place" b/w "That's All I Want" (21 January 1966) Enjoy.

Vince Eager

Vince Eager (born Roy Taylor, 4 June 1940, Grantham, Lincolnshire, England) is an English pop singer. He was widely promoted by impresario Larry Parnes, but later quarrelled with him over his commercialising of Eddie Cochran's tragic early death. Eager has since appeared in cabaret and on the West End stage.
As a teenager, he formed the Harmonica Vagabonds, later the Vagabonds Skiffle Group, with Roy Clark, Mick Fretwell, and bassist Brian Locking. The group reached the final round of a televised "World Skiffle Championship" in 1958, and were offered a residency at the 2 I's Coffee Bar in London. There, they were signed by impresario Larry Parnes, who took Taylor into his stable of performers, and gave him one of his characteristic stage names, Vince Eager. After touring and releasing an EP as Vince Eager & the Vagabonds, Clark and Fretwell returned home. Vince Eager and Brian Locking remained in London, Locking performing with Marty Wilde before joining the Shadows.
During 1959 Vince Eager was a regular on BBC TV's Drumbeat, often accompanied by the John Barry Seven. In 1960 he was one of the contestants on A Song for Europe. His song, "Teenage Tears", in the semi-final was ranked last in the total of six entries for nomination to the Eurovision Song Contest. According to Vince Eager's website, "the death of his best friend Eddie Cochran in a car crash on Easter Sunday 1960 was to prove a turning point in Vince's career. He was disgusted with the manner in which Parnes sought to gain publicity from the accident and he began the process of getting away from the "Parnes Stable" of popsters.
In the years that followed the Parnes era, he toured on the cabaret circuit, and performed in theatre and pantomime. For five years he starred in the West End musical Elvis. In 1986, he moved to Fort Lauderdale, Florida, USA where he worked as a cruise director on American luxury cruise ships.

Now residing back in the UK, Eager's career has had something of a resurgence. Teaming up with producer and musician Alan Wilson, there have been new recordings some of which have featured Eager's old friends including; Marty Wilde, Albert Lee and Chas Hodges. The resulting album release, titled 788 years of Rock n Roll sold well enough for Wilson's Western Star record label to invite Eager back for another session in 2013. The latest album, Rockabilly Dinosaur was released in 2014. Eager now lives in Nottinghamshire.

In 2018 he features on the track "Halfway to Paradise" on the newly released Billy Fury album The Symphonic Sound of Fury.
Here is " No More", Parlophone, 1958 (b/w) Enjoy.

Saturday, January 5, 2019

The Brumbeats

Here is Robert Plant With The Brumbeats in 1963
 (Note: there was also another 1960's group in Birmingham called "The Brum Beats" whose vocalist Norman Haines would later join the group Locomotive).

This Birmingham group came very close to making a breakthrough into the record charts early in 1964 during the first wave of the U.K. 'beat boom' as started by The Beatles. They were originally called 'The Plazents' after Mary Regan's well known Plaza Ballroom in Old Hill where the band became the resident act.
The Plazents were formed in Erdington by drummer Dave Mountney (from the Beachcombers), guitarists Graham Gallery and Roger Hill (both previously with a group called Bobby and The Dominators) while saxophonist Paul Carter came from Northfield. By 1963, The Plazents had enlisted Buddy Ash from Smethwick, formerly of The Eko's and the Diplomats, as their lead vocalist.
While at the Plaza, the group were able to back some well known visiting American artists such as Tommy Roe, Jerry Lee Lewis, Chris Montez, The Ronettes, and many more. The positive response to The Plazents from the Plaza regulars was such that they were signed to a recording contract by Decca Records in July 1963 although it would not be until September before they could go into the studio due to bass guitarist Graham Gallery having a bout with pneumonia. Decca also told the group to get another drummer so Dave Mountney was replaced by Alan "Bugsy" Eastwood.
In order to capitalize on the so-called "Mersey Beat" mania that was sweeping the country at that time, the term "Brum Beat" was being used by some promoters as a means of advertising West Midlands groups who had recently been signed-up. In light of this, Decca Records decided that The Plazents name should be changed to "The Brumbeats" prior to the release of their first single
Decca Records chose a great song for the A-side of The Brumbeats first record release that had been composed by the group themselves. The track was called 'I Don't Understand' with the recording done very much in the style of the popular "Mersey Sound" while also considered as a potential record for well known singer Billy Fury. The song was actually composed by the Brumbeats singer Buddy Ash (Graham Ashford) who wrote the lyrics with the music composed by Graham Gallery and Roger Hill.
The record was produced by Mike Leander who had recently made hit records with another Brum band The Applejacks. Despite radio and TV appearances on shows like "Thank Your Lucky Stars" The Brumbeats 45 of I Don't Understand did not manage to become a national hit although the record sold-out in many Birmingham record shops.

A local newspaper at the time published a story on the band titled; "It could be a really fab Feb. for the Brum Beats". The story went on to say; "They are all good musicians - quite a rarity among modern beat groups - and Decca are considering using them as session men."
As well as providing support for visiting acts, The Brumbeats had performed on the same bill as The Beatles whenever they played in the Birmingham area. The Brumbeats similarity in their sound to The Beatles was not lost on Decca Records as they were soon involved in a project resulting in the release of a rare 15-track album of Beatles songs as performed by "The Merseyboys" who were really The Brumbeats under a different name.
While most Beatles fans would not be fooled by these recordings, the LP stands as a tribute to The Brumbeats as talented musicians and in particular guitarist Roger Hill who brilliantly duplicates both George and John's parts simultaneously as he probably usually did on stage! This album was also issued in the U.S.A. on the famous Vee-Jay Records label - one of the first American labels to promote records by The Beatles.

Despite making other recordings for Decca, the Brumbeats unfortunately broke up in early 1965 when Graham Ashford left to go solo before further records could be released. The group later re-formed for a short time with new members Robbie Harper and Alan Buxton replacing Roger Hill and Bugsy Eastwood.

Graham Gallery briefly joined the Rockin' Berries and later became a member of "The Midland Light Orchestra". He also worked with the famous Move and Wizzard performer Roy Wood during the 1970s. Graham died in the 1980s at only 35 years of age.
Roger Hill went on to other Birmingham bands which included The Uglys and later re-uniting with former Brumbeats drummer Alan Eastwood when they formed the pop/rock group The Exception. Roger enjoyed a successful career as a jazz guitarist until he passed away in 2011 (see Roger Hill). Sadly, Alan "Bugsy" Eastwood also passed away in 2007.

Buddy Ash (Graham Ashford) went on to form his own new group in 1965 that was named The Bobby Ash Sound. Graham later moved to Hawaii and now lives in California where he still continues to perform and write songs. Saxophonist Paul Carter was recently discovered in South Africa where he still lives today.

Credit and Thanks to Graham Ashford for assistance in writing The Brumbeats story.
Here is "Cry Little Girl, Cry" From (Decca F 11834) 1964 Enjoy.

Friday, January 4, 2019

The Remo Four


The Remo Four were a 1950s-1960s rock band from Liverpool, England. They were contemporaries of The Beatles, and later had the same manager, Brian Epstein. Its members were Colin Manley (born Colin William Manley, 16 April 1942, in Old Swan, Liverpool, Lancashire died 9 April 1999) (lead guitar/vocals), Phil Rogers (rhythm guitar/bass guitar/vocals) (born Philip Rogers, March 1942, in Liverpool), Don Andrew (born Donald Andrew, in 1942, in Liverpool) (bass guitar/vocals), and Roy Dyke (drums) (born 13 February 1945, in Liverpool). Andrew and Manley were in the same class at school (Liverpool Institute for Boys) as Paul McCartney.
Manley and Andrew formed the Remo Quartet in 1958, with singer/guitarist Keith Stokes (born in 1942) and drummer Harry Prytherch (born 4 August 1941, Liverpool d. 13 October 2015). They progressed from playing local parties and contests to regular hall appearances, and turned professional, changing their name to the Remo Four in summer 1959. They played a mix of vocal harmony material (à la The Everly Brothers), and instrumental numbers in the manner of The Shadows, The Ventures, and Chet Atkins.
The Remo Four were voted Number Three Group in a 1961 Mersey Beat poll, and among their fans were The Beatles, fresh from a season in Hamburg, Germany. Both groups were among the regulars at the Cavern Club during 1961 and 1962, and both shared the bill with Gerry & The Pacemakers, Rory Storm and the Hurricanes, and Ted "Kingsize" Taylor and the Dominoes, at the 1961 "Operation Big Beat", a festival at New Brighton's Tower Ballroom. While The Beatles travelled back and forth to Hamburg, the Remo Four began playing American Air Force bases in France, building their stage and musical experience. A highlight of their early career was sharing the stage with the Shadows, in the latter's only Cavern Club appearance. Johnny Sandon joined the band as vocalist in 1962, and stayed for two years.
In early 1963, Prytherch decided to get married and find a regular job, and Roy Dyke took his place in the band. That year the band signed up with Epstein's NEMS Enterprises and acquired a new lead singer, Tommy Quickly, and a recording contract with Piccadilly Records, backing Quickly on Lennon and McCartney's "Tip of My Tongue" and other songs. The band also released instrumentals, including a driving rendition of Henry Mancini's Peter Gunn theme.

Different members came and went, including songwriters Wayne Bickerton and Tony Waddington (who later joined Pete Best in a group, that moved to America), and Tony Ashton (keyboards/vocals), who replaced Don Andrew, with Rogers moving to bass. Another NEMS artist, Billy J. Kramer, became a frontman for the band, which adopted the name "The New Dakotas" while backing him. Despite their talent and track record, the band's success in the record market was limited, and most of their work came as backing musicians, or as the house band in German clubs, including the Star-Club in Hamburg. They released an album, Smile!, on the Star-Club's own label in 1967, featuring elements of rock and jazz.

Late in 1967, Beatle George Harrison hired the Remo Four as his backing band for part of his first solo project, the soundtrack album to the movie Wonderwall. While the songs were mostly instrumentals, they did record one lyrical song, "In the First Place", with Harrison, which was left in the can until the 1990s. (Ashton, Gardner and Dyke later reworked the song and recorded it as "As It Was in the First Place".) They also became Billy Fury's backing band, in the late 1960s.

Disbanding in 1970, Ashton and Dyke joined guitarist Kim Gardner, formerly of The Creation and The Birds (not to be confused with California rock band The Byrds), to form Ashton, Gardner & Dyke, who later recorded a song called "Ballad of the Remo Four". Ashton later formed Paice Ashton Lord with members of Deep Purple. Manley became an accompanist for singers including Engelbert Humperdinck, and later joined The Swinging Blue Jeans. Don Andrew and Colin Manley appeared with Gerry Marsden (of Gerry & The Pacemakers fame) performing on stage in an episode of the UK TV soap "Brookside" in the 1990s. Manley died of cancer on 9 April 1999, and a memorial concert was held for him that June, with some of his former bandmates performing. Ashton also died of cancer, on 28 May 2001. Keith Stokes died on 19 June 2010, cause unknown. He was living in Wallasey and friends and relatives had been trying to trace him for 15 years, without success.
Here is "Peter Gunn" On The Piccadilly Label 7N 35175 (1964) Enjoy.

The Blackwells

Merseyside band The Blackwells in September 1964
The Blackwells were a 60s male Merseybeat group who were resident at the Peppermint Lounge in Liverpool’s city centre. They had dyed hair and skin-tight leather outfits and were known as ‘the blond bombshells’. Who appeared in the film Ferry Cross The Mersey With The Black Knights. Their 1965 Columbia Records single, ‘Why Don’t You Love Me’, is indicative of their gutsy sound. The band is not to be confused with the US group who made the original version of ‘Love Or Money’.On Monday 18th May 1964 they appeared in an all day session at The Cavern with other groups including The Clayton Squares, Billy Kinsley's new group, The Centremen, The Mastersounds, The Hideaways, The Nashpool Four, Freddy Starr & The Flamingoes, The Spidermen, The St Louis Checks, The Georgians, The Coins and The Schatz.
Here is "Why Don't You Love Me" From 1965 Enjoy.

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